Posts Tagged: nicole burisch

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Craft on Demand examines the role of the handmade in contemporary art, craft and design as part

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Craft on Demand examines the role of the handmade in contemporary art, craft and design as part

DO LESS WITH LESS / DO MORE WITH MORE

Ladies’ Invitational Deadbeat Society’s limited edition DO LESS WITH LESS / DO MORE WITH MORE cross stitch pattern poster. The slogan on the original posters was drawn from Artivistic’s Promiscuous Infrastructures project at Centre des arts actuels Skol in Montréal, Québec

DO LESS WITH LESS / DO MORE WITH MORE

Ladies’ Invitational Deadbeat Society’s limited edition DO LESS WITH LESS / DO MORE WITH MORE cross stitch pattern poster. The slogan on the original posters was drawn from Artivistic’s Promiscuous Infrastructures project at Centre des arts actuels Skol in Montréal, Québec

Performing Austerity: Artists, Work, and Economic Speculation

The relationship between arts economies and austerity is a tumultuous one. We need only recall Stephen Harper’s sneering 2008 categorization of artists as rich complainers as evidence of the persistent myths that are used to devalue artistic work as “non-essential”

Performing Austerity: Artists, Work, and Economic Speculation

The relationship between arts economies and austerity is a tumultuous one. We need only recall Stephen Harper’s sneering 2008 categorization of artists as rich complainers as evidence of the persistent myths that are used to devalue artistic work as “non-essential”

The Ten Cognitive Distortions

The Ten Cognitive Distortions is a photocopied poster edition derived from a handout given to me by my therapist Maria. The original appears to have been photocopied (and possibly even faxed) several times before I received it. I recognize that most

The Ten Cognitive Distortions

The Ten Cognitive Distortions is a photocopied poster edition derived from a handout given to me by my therapist Maria. The original appears to have been photocopied (and possibly even faxed) several times before I received it. I recognize that most

Craft Hard Die Free in Extra/ordinary and The Craft Reader

“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with

Craft Hard Die Free in Extra/ordinary and The Craft Reader

“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with

LADIES INVITATIONAL DEADBEAT SOCIETY

The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy

LADIES INVITATIONAL DEADBEAT SOCIETY

The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy