Posts Tagged: nicole burisch
The New Politics of the Handmade: Craft, Art and Design
The New Politics of the Handmade: Craft, Art and Design is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Bloomsbury Press, 2020. Order from Bloomsbury Press Contemporary craft, art and design are inseparable from the
The New Politics of the Handmade: Craft, Art and Design
The New Politics of the Handmade: Craft, Art and Design is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Bloomsbury Press, 2020. Order from Bloomsbury Press Contemporary craft, art and design are inseparable from the
DO LESS WITH LESS / DO MORE WITH MORE
Ladies’ Invitational Deadbeat Society’s limited edition DO LESS WITH LESS / DO MORE WITH MORE cross stitch pattern poster. The slogan on the original posters was drawn from Artivistic’s Promiscuous Infrastructures project at Centre des arts actuels Skol in Montréal, Québec
DO LESS WITH LESS / DO MORE WITH MORE
Ladies’ Invitational Deadbeat Society’s limited edition DO LESS WITH LESS / DO MORE WITH MORE cross stitch pattern poster. The slogan on the original posters was drawn from Artivistic’s Promiscuous Infrastructures project at Centre des arts actuels Skol in Montréal, Québec
Performing Austerity: Artists, Work, and Economic Speculation
The relationship between arts economies and austerity is a tumultuous one. We need only recall Stephen Harper’s sneering 2008 categorization of artists as rich complainers as evidence of the persistent myths that are used to devalue artistic work as “non-essential”
Performing Austerity: Artists, Work, and Economic Speculation
The relationship between arts economies and austerity is a tumultuous one. We need only recall Stephen Harper’s sneering 2008 categorization of artists as rich complainers as evidence of the persistent myths that are used to devalue artistic work as “non-essential”
The Ten Cognitive Distortions
The Ten Cognitive Distortions is a photocopied poster edition derived from a handout given to me by my therapist Maria. The original appears to have been photocopied (and possibly even faxed) several times before I received it. I recognize that most
The Ten Cognitive Distortions
The Ten Cognitive Distortions is a photocopied poster edition derived from a handout given to me by my therapist Maria. The original appears to have been photocopied (and possibly even faxed) several times before I received it. I recognize that most
Craft Hard Die Free in Extra/ordinary and The Craft Reader
“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with
Craft Hard Die Free in Extra/ordinary and The Craft Reader
“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with
LADIES INVITATIONAL DEADBEAT SOCIETY
The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy
LADIES INVITATIONAL DEADBEAT SOCIETY
The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy
Anthea Black 