Posts Tagged: craft
The New Politics of the Handmade: Craft, Art and Design
The New Politics of the Handmade: Craft, Art and Design is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Bloomsbury Press, 2020. Order from Bloomsbury Press Contemporary craft, art and design are inseparable from the
The New Politics of the Handmade: Craft, Art and Design
The New Politics of the Handmade: Craft, Art and Design is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Bloomsbury Press, 2020. Order from Bloomsbury Press Contemporary craft, art and design are inseparable from the
Craft and the Polymorphous Perverse
“Craft and the Polymorphous Perverse” This essay was commissioned for the catalogue of “Making Otherwise,” a touring exhibition of contemporary craft works by six artists, Richard Boulet, Marc Courtemanche, Ursula Johnson, Sarah Maloney, Paul Mathieu and Janet Morton. The exhibition’s
Craft and the Polymorphous Perverse
“Craft and the Polymorphous Perverse” This essay was commissioned for the catalogue of “Making Otherwise,” a touring exhibition of contemporary craft works by six artists, Richard Boulet, Marc Courtemanche, Ursula Johnson, Sarah Maloney, Paul Mathieu and Janet Morton. The exhibition’s
PLEASURE CRAFT
Curated by Anthea Black, this screening explores appearances of craft and hand making in film and video from the 1960s to the present, where craft is a temporal process rather than a fixed object. Featuring works by Charles and Ray
PLEASURE CRAFT
Curated by Anthea Black, this screening explores appearances of craft and hand making in film and video from the 1960s to the present, where craft is a temporal process rather than a fixed object. Featuring works by Charles and Ray
Craft Hard Die Free in Extra/ordinary and The Craft Reader
“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with
Craft Hard Die Free in Extra/ordinary and The Craft Reader
“In Craft Hard Die Free: Radical Curatorial Strategies for Craftivism, Anthea Black and Nicole Burisch provide a brief international survey of activities which seek to deploy craft for the purposes of protest. Knitting, and other textile arts traditionally associated with
LADIES INVITATIONAL DEADBEAT SOCIETY
The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy
LADIES INVITATIONAL DEADBEAT SOCIETY
The Ladies’ Invitational Deadbeat Society (LIDS) was founded in 2006 as a closely-knit affiliation of then-unemployed cultural workers, not working, but still bustin’ ass within Alberta artist-run culture. Their activities made visible and politicized women’s roles in the arts economy
SUPER STRING
SUPER STRING taps into the collective craft unconscious – the sound of thousands of knitting needles clicking in unison – and the prolific ways in which artists and activists make textiles to connect with each other, recycle, share skills, reclaim
SUPER STRING
SUPER STRING taps into the collective craft unconscious – the sound of thousands of knitting needles clicking in unison – and the prolific ways in which artists and activists make textiles to connect with each other, recycle, share skills, reclaim
Anthea Black 