LIVE FROM PATTERN HUT

LIVE FROM PATTERN HUT An accordion bookwork that contains reproductions of six film stills from Black and Yabut’s work Maman and Me. On the reverse, a critical text by Jen Kennedy entitled “Fugitive Patterns,” is paired with images from the performative

LIVE FROM PATTERN HUT

LIVE FROM PATTERN HUT An accordion bookwork that contains reproductions of six film stills from Black and Yabut’s work Maman and Me. On the reverse, a critical text by Jen Kennedy entitled “Fugitive Patterns,” is paired with images from the performative

Maman and me

Maman and me combines imagery of hair, brushing, braiding, spiders, knives, scissors, and cut paper derived from my interest in the work of Louise Bourgeois and my collaboration with Thea Yabut. The work utilizes both “blind cutting” and cameraless animation:

Maman and me

Maman and me combines imagery of hair, brushing, braiding, spiders, knives, scissors, and cut paper derived from my interest in the work of Louise Bourgeois and my collaboration with Thea Yabut. The work utilizes both “blind cutting” and cameraless animation:

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Craft on Demand examines the role of the handmade in contemporary art, craft and design as part

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. Craft on Demand examines the role of the handmade in contemporary art, craft and design as part

NO PLACE: Queer Geographies on Screen

NO PLACE: Queer Geographies on Screen is a touring exhibition program that features the work of Canadian and international queer and trans-identified artists who examine ways in which queer notions of place, mapping, and geography are realized on screen. The works

NO PLACE: Queer Geographies on Screen

NO PLACE: Queer Geographies on Screen is a touring exhibition program that features the work of Canadian and international queer and trans-identified artists who examine ways in which queer notions of place, mapping, and geography are realized on screen. The works

PASS

Many kinds of queer and material knowledge are constructed around the notion of passing, including elaborate forms of hair, self-presentation, drag, and costume. Queer bodies know and hold more than can be told, or spoken; for one night only we

PASS

Many kinds of queer and material knowledge are constructed around the notion of passing, including elaborate forms of hair, self-presentation, drag, and costume. Queer bodies know and hold more than can be told, or spoken; for one night only we

PLEASURE CRAFT

Curated by Anthea Black, this screening explores appearances of craft and hand making in film and video from the 1960s to the present, where craft is a temporal process rather than a fixed object. Featuring works by Charles and Ray

PLEASURE CRAFT

Curated by Anthea Black, this screening explores appearances of craft and hand making in film and video from the 1960s to the present, where craft is a temporal process rather than a fixed object. Featuring works by Charles and Ray

Tea Time Folio: Mapping Informal Networks of Women Living with HIV

The Tea Time Folio is a series of limited edition prints by Anthea Black, Jessica MacCormack, and Johnny Nawrajac produced for Jessica Whitbread’s book Tea Time: Mapping Informal Networks of Women Living with HIV. Produced by Anthea Black and Jessica

Tea Time Folio: Mapping Informal Networks of Women Living with HIV

The Tea Time Folio is a series of limited edition prints by Anthea Black, Jessica MacCormack, and Johnny Nawrajac produced for Jessica Whitbread’s book Tea Time: Mapping Informal Networks of Women Living with HIV. Produced by Anthea Black and Jessica