Maman and me, 2012-2015, HD video and 16mm cameraless animation transferred to video. Projected as a loop, 5:35 minutes.

Maman and me

Maman and me combines imagery of hair, brushing, braiding, spiders, knives, scissors, and cut paper derived from my interest in the work of Louise Bourgeois and my collaboration with Thea Yabut. The work utilizes both “blind cutting” and cameraless animation:

Maman and me, 2012-2015, HD video and 16mm cameraless animation transferred to video. Projected as a loop, 5:35 minutes.

Maman and me

Maman and me combines imagery of hair, brushing, braiding, spiders, knives, scissors, and cut paper derived from my interest in the work of Louise Bourgeois and my collaboration with Thea Yabut. The work utilizes both “blind cutting” and cameraless animation:

LOUISE, 2013-2015, photograph.	
photo credit: Louise Bourgeois: Drawings and Observations, by Louise Bourgeois and Lawrence Rinder, 1996 and Anthea Black, Thea Yabut, and Brad Isaacs.

LIVE FROM PATTERN HUT

LIVE FROM PATTERN HUT is a collaborative project with Thea Yabut that was sparked by an image of Louise Bourgeois in her studio. Who are we (with) in the studio? Who is Bourgeois looking at as she turns from her

LOUISE, 2013-2015, photograph.	
photo credit: Louise Bourgeois: Drawings and Observations, by Louise Bourgeois and Lawrence Rinder, 1996 and Anthea Black, Thea Yabut, and Brad Isaacs.

LIVE FROM PATTERN HUT

LIVE FROM PATTERN HUT is a collaborative project with Thea Yabut that was sparked by an image of Louise Bourgeois in her studio. Who are we (with) in the studio? Who is Bourgeois looking at as she turns from her

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a forthcoming publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. The book features new texts and artist projects by international scholars and practitioners who activate craft

Craft on Demand: The New Politics of the Handmade

Craft on Demand: The New Politics of the Handmade is a forthcoming publication on contemporary craft politics edited by Anthea Black and Nicole Burisch. The book features new texts and artist projects by international scholars and practitioners who activate craft

NO PLACE POSTER Tromsø

NO PLACE: Queer Geographies on Screen

NO PLACE: Queer Geographies on Screen is a touring exhibition program that features the work of Canadian and international queer and trans-identified artists who examine ways in which queer notions of place, mapping, and geography are realized on screen. The works

NO PLACE POSTER Tromsø

NO PLACE: Queer Geographies on Screen

NO PLACE: Queer Geographies on Screen is a touring exhibition program that features the work of Canadian and international queer and trans-identified artists who examine ways in which queer notions of place, mapping, and geography are realized on screen. The works

PASS, Anthea Black and Mikiki, June 21, 2014. NUIT ROSE. James Canning Gardens.

PASS

Many kinds of queer and material knowledge are constructed around the notion of passing, including elaborate forms of hair, self-presentation, drag, and costume. Queer bodies know and hold more than can be told, or spoken; for one night only we

PASS, Anthea Black and Mikiki, June 21, 2014. NUIT ROSE. James Canning Gardens.

PASS

Many kinds of queer and material knowledge are constructed around the notion of passing, including elaborate forms of hair, self-presentation, drag, and costume. Queer bodies know and hold more than can be told, or spoken; for one night only we

Anthea Black, EAT ME DRINK ME TAKE TEA WITH ME, 2014,  silkscreen on book paper, edition of 20.

Tea Time Folio

The Tea Time Folio is a series of limited edition prints by Anthea Black, Jessica MacCormack, and Johnny Nawrajac produced for Jessica Whitbread’s book Tea Time: Mapping Informal Networks of Women Living with HIV. Produced by Anthea Black and Jessica

Anthea Black, EAT ME DRINK ME TAKE TEA WITH ME, 2014,  silkscreen on book paper, edition of 20.

Tea Time Folio

The Tea Time Folio is a series of limited edition prints by Anthea Black, Jessica MacCormack, and Johnny Nawrajac produced for Jessica Whitbread’s book Tea Time: Mapping Informal Networks of Women Living with HIV. Produced by Anthea Black and Jessica