The HIV Howler CALL FOR SUBMISSIONS Due May 1

CALL FOR SUBMISSIONS: The HIV HOWLER: Transmitting Art and Activism Issue 4 on Movement-Migration – desplácese hacia abajo para leer la llamada en español Deadline: May 1, 2019     YOU ARE INVITED TO SUBMIT YOUR WORK TO the 4th

The HIV Howler CALL FOR SUBMISSIONS Due May 1

CALL FOR SUBMISSIONS: The HIV HOWLER: Transmitting Art and Activism Issue 4 on Movement-Migration – desplácese hacia abajo para leer la llamada en español Deadline: May 1, 2019     YOU ARE INVITED TO SUBMIT YOUR WORK TO the 4th

The HIV Howler: Transmitting Art and Activism

  The HIV Howler: Transmitting Art and Activism is a limited edition art newspaper focusing on global grassroots HIV art and cultural production. Artists have and continue to play a fundamental role in shaping broader societal understandings of HIV and

The HIV Howler: Transmitting Art and Activism

  The HIV Howler: Transmitting Art and Activism is a limited edition art newspaper focusing on global grassroots HIV art and cultural production. Artists have and continue to play a fundamental role in shaping broader societal understandings of HIV and

Handbook: Supporting Queer and Trans Students in Art and Design Education

HANDBOOK is a collaborative intervention in art and design pedagogy. It offers faculty a radical rethink on how to work with queer and transgender students on their path to becoming artists and designers – from the first day of school

Handbook: Supporting Queer and Trans Students in Art and Design Education

HANDBOOK is a collaborative intervention in art and design pedagogy. It offers faculty a radical rethink on how to work with queer and transgender students on their path to becoming artists and designers – from the first day of school

LOUISE

LOUISE is part of a collaborative project with Thea Yabut that was sparked by an image of Louise Bourgeois in her studio. Who are we (with) in the studio? Who is Bourgeois looking at as she turns from her drawing?  Our

LOUISE

LOUISE is part of a collaborative project with Thea Yabut that was sparked by an image of Louise Bourgeois in her studio. Who are we (with) in the studio? Who is Bourgeois looking at as she turns from her drawing?  Our

Mirror Drawing

Singularity is always already plural; individuals are at once unique in their differences and relational to others. Anthea Black and Thea Yabut create drawings, book works, prints, photographs, and composite films simultaneously together and individually, each mimicking the other’s movements

Mirror Drawing

Singularity is always already plural; individuals are at once unique in their differences and relational to others. Anthea Black and Thea Yabut create drawings, book works, prints, photographs, and composite films simultaneously together and individually, each mimicking the other’s movements

Coupé à la mains

Coupé à la mains Blindfold a poet. Put her poems and a pair of scissors in her hands. Destroy, she said. Coupé à la mains uses a surrealist process of chance,”blind cutting,” to cut and reconfigure imagery and fragments of poems by Virginia Konchan: The Hand

Coupé à la mains

Coupé à la mains Blindfold a poet. Put her poems and a pair of scissors in her hands. Destroy, she said. Coupé à la mains uses a surrealist process of chance,”blind cutting,” to cut and reconfigure imagery and fragments of poems by Virginia Konchan: The Hand

Two Fold: twice as great or as numerous

Two fold is a wall-mounted accordion book that consists of 84 cut-paper panels. A collaboration between Black and Thea Yabut, Two fold begins with their ongoing “mirror drawing” studio game, and their practice of using scissors and knives as a drawing tool. Working

Two Fold: twice as great or as numerous

Two fold is a wall-mounted accordion book that consists of 84 cut-paper panels. A collaboration between Black and Thea Yabut, Two fold begins with their ongoing “mirror drawing” studio game, and their practice of using scissors and knives as a drawing tool. Working